Combine multiple photos believably
Closed captions ▸ auto-translate via the YouTube CC menu.
Close the previous Adobe Photoshop document to prepare for the Shark Week project.
Locate the Shark Week folder containing the PSD and image assets on the desktop.
Double-click the ScubaPSD document in the Shark Week folder to open it in Photoshop.
Open the Great White Shark image file to prepare for compositing.
Review the goal of placing the scuba diver in front of the shark by copying and organizing them onto separate layers.
The presenter places the shark week graphic layer onto the canvas.
Zoom in on the diver and select the Quick Selection Tool from the toolbar.
Paint over the diver with the quick selection tool to select the subject.
Hold down the Alt key to subtract unwanted water areas from the selection around the air hose.
Check and refine other areas around the diver's equipment and head.
Select the Quick Select tool to visually highlight the selected subject.
Right click the selection and choose Layer via Copy to place the selected subject on its own layer.
Switch to the Lasso tool and hold the add to selection modifier to manually select missing parts of the shark.
Drag the shark image tab out to separate it into its own window, select the Move tool, and drag the shark into the main scuba diver scene.
Drag the shark layer above the scuba diver layer in the layers panel so that the diver appears positioned behind the shark.
Grab the layer and drag it down to the plus sign icon to duplicate it.
Lower the opacity of the selected layer to make the shark look translucent and distant.
Open the blending mode dropdown and explore different options to blend the layer image.
Select the blend mode dropdown in the layers panel and change it to Soft Light.
Drag the Shark Week image into Photoshop to add it as a new layer.
Select the Move tool and drag the Shark Week graphic document into the underwater scene document.
Position and tuck the Shark Week graphic underneath the scuba diver layer to create depth.
Explain how to adjust element placement, order of layers, and use arrow keys when fine-tuning selections.
Change the layer blending mode to Soft Light to give the appearance that the graphic is further in the distance with visible bubbles.
Select the layer containing the object to put on its own layer.
Do not make a copy of the layer and move it, because it ruins the illusion. The whole point of making a copy is to tuck things behind that layer without moving it.
Provenance: FOLLOW, checkpoints and quiz come from your recording. TRY/SHOW/APPLY are scaffolds — teacher reviews before release. Non-English content marked "in review" is machine-draft or English fallback. Generator make-lab · DRV-1B79QBKE7QJ0.